Which theme does Viola's subplot develop in Act II and Act III of Twelfth Night?
A. Deceit can be dangerous.
B. Love is all around
C. One should be true to oneself
D. Do not give up easily.

Answer:

Its A I took the test and the person above me is wrong.

Explanation:

The theme that Viola's subplot develops in Act II and Act III of Twelfth Night is Deceit can be dangerous.

The servants play a role in the subplot.

Olivia's servant Maria, whom she refers to as "woman," seeks vengeance on Olivia's egotistical steward Malvolio.

Maria takes advantage of this weakness by dropping love notes addressed to him that are purportedly written by Olivia.

Thus, the correct option is A. Deceit can be dangerous.

Learn more about Twelfth night

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Match each phrase with its correct phrase type.

To Autumn
by John Keats

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o'er-brimm'd their clammy cells.


Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.


Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.

Question 1
Part A

What inference can be drawn from "To Autumn"?


Autumn is a sad season, and the autumn of life is equally sad.

Autumn is simply a precursor to winter, and the autumn of life is a time of grief.

Autumn is a peaceful and abundant season, full of natural beauty.

Autumn is a beautiful season, but spring is much preferred.
Question 2
Part B

Which evidence from the text best supports the answer in Part A?


"Where are the songs of spring? Ay, where are they?
Think not of them, thou hast thy music too,—"

"And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook; . . .
Thou watchest the last oozings hours by hours."

"Season of mists and mellow fruitfulness . . .
Conspiring . . . how to load and bless
With fruit the vines . . .
And fill all fruit with ripeness to the core."

"Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;"

Which of the following sentences is composed of two independent clauses?

Dad and I watch football regularly, but we cheer for different teams.

My team, which is currently in first place, will surely win.

Dad’s team has not scored since the second half began.

Whenever my team scores, Dad growls irritably.

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Read the excerpt from Julius Caesar, act 1, scene 2.
Which statement best summarizes the conflict in this
passage?
45
BRUTUS. Cassius,
Be not deceived. If I have veiled my look,
I turn the trouble of my countenance
Merely upon myself. Vexèd I am
Of late with passions of some difference,
Conceptions only proper to myself,
Which give some soil, perhaps, to my behaviours.
But let not therefore my good friends be grieved
Among which number, Cassius, be you one
Nor construe any further my neglect
Than that poor Brutus, with himself at war,
Forgets the shows of love to other men.
O Brutus betrayed Cassius, and now Cassius is angry
with him.
O Cassius offends Brutus by saying that he does not
like the way Brutus looks.
O While Cassius and others have noticed a difference in
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because of anything they have done. It is only
because Brutus is struggling within himself and has let
it unfairly impact how he treats others.
O Brutus clarifies that Cassius is his closest friend.
50

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Which descriptions are direct characterizations of Mitchell? Check all that apply.


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Read the passage from "The Book of Martha."
No, Martha thought. Now he had found a different
amusement. "How big a change do I have to make?"
she asked. "What will please you and cause you to let
me go and not bring in someone else to replace me?"
"I don't know," God said, and he smiled. He rested his
head back against the tree. "Because I don't know what
you will do. That's a lovely sensation-anticipating, not
knowing."
What is Martha struggling with most in this passage?
O God might replace her with another person.
O God will not be amused by what she decides to do.
o God will be mad if she does not tell him what she will
do.
O God might not let her make her own decisions.

Days Gone By

by James Whitcomb Riley



O the days gone by! O the days gone by!
The apples in the orchard, and the pathway through the rye;
The chirrup of the robin, and the whistle of the quail
As he piped across the meadows sweet as any nightingale;
5 When the bloom was on the clover, and the blue was in the sky,
And my happy heart brimmed over in the days gone by.




In the days gone by, when my naked feet were tripped
By the honey-suckle’s tangles where the water-lilies dipped,
And the ripples of the river lipped the moss along the brink
10 Where the placid-eyed and lazy-footed cattle came to drink,
And the tilting snipe stood fearless of the truant’s wayward cry
And the splashing of the swimmer, in the days gone by.




O the days gone by! O the days gone by!
The music of the laughing lip, the luster of the eye;
15 The childish faith in fairies, and Aladdin’s magic ring—
The simple, soul-reposing, glad belief in everything,—
When life was like a story, holding neither sob nor sigh,
In the golden olden glory of the days gone by.

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A.
by describing a peaceful setting

B.
by using imagery that shows a struggle

C.
by having the cattle represent people

D.
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